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Lagu Elvis Presley Hound Dog Full Band CoverRecorded originally by Big Mama Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. Download lagu MP3 Hound Dog - Elvis Presley Full Band Cover The Chubby Pickle - Elvis Presley Party- Elvis Presley Best Songs Ever - Elvis Presley." Hound Dog" is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. 15 Koleksi Lagu Terbaik Elvis Presley ApApby Fifi Sofianti AlbumBaru.Com Elvis Aaron Presley yang terkenal dengan nama panggung Elvis Presley adalah penyanyi dan penulis lagu serta aktor dari Amerika Serikat.Original song written and composed by Jerry Leiber and Mike Stoller originally recorded by Big Mama Thornton "Hound Dog"Elvis Presley - Hound Dog Lyrics, GlyphoricVibes, 02:24, PT2M24S, 3.3 MB, 138, 4, 0, 04:42:51, 08:54:32, Billboard Music Download, ocw.uwc.ac.za Billboard Music Download Trending Today: Ninho Mal Lun The Weeknd Mashup Drake And Josh Dont Dream Its Over Miley Cyrus And Ariana Grande Lyrics Feel This Moment - Pitbull Ft. Baik karena dapat melatih kemampuan.Elvis presley only you mp3 download. Namanya pun dikenang sebagai salah satu penyanyi dan entertainer terpopuler sepanjang. Ia kemudian meninggal pada tanggal 16 Agustus 1977 di Tennessee, Amerika Serikat di usia yang ke 42 tahun. 5.2 King Records vs Lion Publishing Co. 5.1 Lion Music Publishing Company v. 4.8.1 Beatles and John Lennon cover versions 3 Freddie Bell and the Bellboys' versions (1955–1956) In an interview in Rolling Stone in April 1990, Stoller said: "She was a wonderful blues singer, with a great moaning style. After hearing Thornton rehearse several songs, Leiber and Stoller "forged a tune to suit her personality—brusque and badass". Thornton had been signed by "Diamond" Don Robey's Houston-based Peacock Records the year before, and after two failed singles, Robey had enlisted Otis to reverse her fortunes. Elvis Presley Music (1956–1957)On August 12, 1952, R&B bandleader Johnny Otis asked 19-year-old songwriters Jerry Leiber and Mike Stoller to his home to meet blues singer Willie Mae "Big Mama" Thornton. 5.3 Valjo Music Publishing Corporation v. She must have been 350 pounds, and she had all these scars all over her face" conveying words which could not be sung. And she was mean, a 'lady bear,' as they used to call 'em. She looked like the biggest, baddest, saltiest chick you would ever see. Said Leiber, "'Hound Dog' took like twelve minutes. Leiber and Stoller wrote the song "Hound Dog" in 12 to 15 minutes, with Leiber scribbling the lyrics in pencil on ordinary paper and without musical notation in the car on the way to Stoller's apartment. Moonoogian concurs, calling it "a biting and scathing satire in the double-entendre genre" of 1950s rhythm and blues. According to Iain Thomas, "'Hound Dog' embodies the Thornton persona she had crafted as a comedienne prior to entering the music business" by parading "the classic puns, extended metaphors, and sexual double entendres so popular with the bawdy genre." R&B expert George A. I was looking for something closer to that but I couldn't find it, because everything I went for was too coarse and would not have been playable on the air." Using a "black slang expression referring to a man who sought a woman to take care of him", the song's opening line, "You ain't nothin' but a hound dog", was a euphemism, said Leiber The song, a Southern blues lament, is "the tale of a woman throwing a gigolo out of her house and her life": The song was written for a woman to sing in which she berates "her selfish, exploitative man", and in it she "expresses a woman's rejection of a man – the metaphorical dog in the title". Jazz saxophone booksHe had a cigarette in his mouth that was burning his left eye, and he started to play the song." Leiber and Stoller along with Johnny Otis, also wrote a different version to the "Hound Dog" song structure on behalf of Big Mama Thornton, recorded with an alternative lyric entitled "Tom Cat".Big Mama Thornton's version (1952/53) Thornton's recording of "Hound Dog" is credited with "helping to spur the evolution of black R&B into rock music". We got to Johnny Otis's house and Mike went right to the piano … didn't even bother to sit down. Also the metric structure of the music was not easy." According to Leiber, as soon as they reached the parking lot and Stoller's 1937 Plymouth, "I was beating out a rhythm we called the ' buck dance' on the roof of the car. But the rhyme scheme was difficult. Ati radeon hd 8490Lieber said that this was not the way they planned and sang it for her, with Stoller on piano, as an example of the concept. Leiber regarded the original recording by the 350-pound "blues belter" Big Mama Thornton as his favorite version, while Stoller said, "If I had to name my favorite recordings, I'd say they are Big Mama Thornton's 'Hound Dog' and Peggy Lee's ' Is That All There Is?'" In 1992, Lieber and Stoller recalled that during the rehearsal, Thornton sang the song as a ballad. Whitefield, in his 2001 book In Search of American Jewish Culture, regards "Hound Dog" as a marker of "the success of race-mixing in music a year before the desegregation of public schools was mandated" in Brown v. "Johnny," Jerry said, "can't you play drums on the record? No one can nail that groove like you." "Who's gonna run the session?" he asked. Said Stoller:We were worried because the drummer wasn't getting the feel that Johnny had created in rehearsal. According to Hound Dog: The Leiber and Stoller Autobiography, Thornton's "Hound Dog" was the first record that Leiber and Stoller produced themselves, taking over from bandleader Johnny Otis. It subsequently became her biggest hit. Recording Thornton recorded "Hound Dog" at Radio Recorders Annex in Los Angeles on August 13, 1952, the day after its composition. According to Maureen Mahon, a music professor at New York University, Thornton's version is "an important beginning of rock-and-roll, especially in its use of the guitar as the key instrument". During the rehearsal, Leiber objected to Thornton's vocal approach, as she was crooning the lyrics rather than belting them out. Therefore, Otis, Louisiana blues guitarist Pete "Guitar" Lewis, and Puerto Rican bass player Mario Delagarde (some sources say erroneously it was Albert Winston) are listed as "Kansas City Bill & Orchestra" on the Peacock record labels. As Otis was still signed exclusively to Federal Records, a subsidiary of Syd Nathan's King Records as "Kansas City Bill" or perhaps with Mercury Records at this time, Otis used the pseudonym "Kansas City Bill" (after his drummer "Kansas City" Bell) on this record. Let the kids do it."Otis played drums on the recording, replacing Ledard "Kansas City" Bell.
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